Wednesday, 5 June 2024

For the prey to live, sometimes the predator must die. (Where the Crawdads sing 2022)

 306.

Where the Crawdads Sing


7/10


This is a movie that easily wouldn't have been showing at my cinema and I'm sure it wasn't around long but this movie based on a 2018 novel with the same name hit the screen mid-2022. The book must have been successful if the adaptation came so soon. The cast is full of unknowns for me, maybe some faces I've seen elsewhere in a supporting role but no one I could tell you on first name terms. Daisy Edgar-Jones is our lead, playing a young girl in North Carolina who raised herself to adulthood whilst also becoming a Naturalist. When a local hotshot is found dead in the Marshes, our lead character is the only suspect in the case. Let's get into the story quickly and then talk about the rest.

The movie begins with news that a dead body is found and Catherine 'Kya' Clarke is accused of murder. We are then taken back in time to show how her earlier life went as her drunk father gambles away the family's money and her mother and older siblings leave the house one by one. She survives by capturing Muscles and selling them to the town shop, whose owners become her friends. Taking herself to school, she is soon labelled the 'Marsh Girl'. A name which sticks with her through life. 


She also makes friends with a local boy named Tate, who lends her books, teaches her to read and becomes close with their common interest in nature. He eventually leaves for college and promises to return on the 4th of July. When he doesn't return and with no contact at all, Kya ends up moving on with her life, dating a quarterback from the area who is very popular. At first, I thought this was a running joke or for a bet but it actually carries on. Kya gives him a necklace she has made from a shell and he even promises her marriage. A year into the relationship, Tate decides to rock up and put a spanner in the works. On the other hand, Kya finds out that Chase the jock is actually engaged to another girl and one you'd expect a jock to be engaged to. 

Kya starts to get an income as her nature drawings and books begin to be published. Her older brother even remerges at his childhood home, explaining that their mother had died before she managed to reunite her children. He promises to return every so often and Kya is once again alone. 

The attention from Chase has always continued but it become more aggressive. He even attempts to rape her before she fights him off and vows to kill him which is overheard by a local fisherman. He trashes her home and 2 days later he is found dead at the bottom of of a fire tower in the swamps. The waters rise and wash away any footprints, there are no fingerprints found and the only thing out of place is the shell necklace that Kya once made for him is now missing. Kya is charged with murder and is already pre-judged by the townspeople. 


At the time of the murder, Kya was meeting with a publisher a couple of hours away from the town but the police and prosecutors speculate that she could have disguised herself to ride the bus home and make the kill in the short layover at night after luring Chase to meeting her, before catching the bus back to Greenville, the town she was meeting with the publishers. With only the missing necklace, the fisherman's testimony and the theory which was a stretch, Kya is found not guilty with the help of a retired solicitor who had come to her aid. 

The movie begins to end with Kya and Tate growing old together, Kya publishes a number of book and meets with her brother and his family many times. Whilst in her 70s, she imagines her mother returning home but in reality, she is having memories as her own life comes to an end. Tate finds her lying dead in their boat. The movie ends with Tate boxing up Kya's belongings and she finds her journal with an entry stating, 'To protect the prey, sometimes the predator has to be killed'. It is alongside a drawing of Chase and hidden in a small compartment is the shell necklace from all those years ago. Putting two and two together pretty fast, Tate walks out of the house in shock, throwing the necklace into the marsh water to protect the memory of Kya as he knew it all those years.

This movie actually took me by surprise and that was from the refreshing ending. If we ever have a film around a court setting, we are usually looking at someone who was wrongly convicted and the movie sets upon fighting to free our main character. It ticked these boxes and gave us reasons to believe Kya couldn't have committed the murder only for that twist at the end. It was nice to have this change of someone we were rooting for all movie to have actually killed someone. Watching this girl grow up, make it through adversity, follow her passion and succeed with it, even make it out of the courtroom in which everyone was against her and only to find out she did it left me a little speechless and I'm all here for it. 

This was helped by some strong acting from Daisy Edgar-Jones, who is soon to be in the new Twisters movie. Playing the role in a murder mystery/romance drama can have its challenges but with the one-screen chemistry brought together with Taylor John Smith as Tate, you are quickly routing for this female. You think she is innocent and misunderstood, abused to an extent but you are left torn by the end once all is revealed. This is only possible by a great storyline from a novel which I have no doubt hit a stream of popularity once this movie hit the screens. Edgar-Jones manages to make you doubt whether anyone else could have pulled off this role as well as she captured Kya.

The movie wasn't without its flaws with some predictable content and a need to condense the story due to its 2 hours run time rather than the option of reading the book itself. In honesty, this can be overlooked by the quick pacing of the movie, which isn't too fast but well enough to get to the point it's trying to make. You are immersed in this swamp life thanks to Polly Morgan as director of photography who manages to find the beauty in a place that people would rarely come to expect. This one is worth one sitting but it always leaves the question of what was sacrificed from the novel to fit the run time on the big screen.

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